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Water Inspector Demanded Free Food from Bar for Good Reports

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Water Inspector Demanded Free Food from Bar for Good Reports

Cynthia Burch, a former water inspector for the city of Atlanta, would make sure your establishment gets a passing score—if you paid her in food. Well, Burch would never actually exactly "offer" this arrangement. Until she was fired, Burch used to promise restaurants that she would cause problems for them if they didn't give her free food.

According to the Fox affiliate in Atlanta, Burch never asked businesses for money in exchange for her positive reports. She just wanted food. Or sometimes, for you to cook her food for her. Her favorite place to hit up was Manuel's Tavern ("America's quintessential neighborhood bar"):

Brian Maloof offered Burch an initial complimentary meal as she checked equipment used to separate out grease in the kitchen, but that turned into constant requests for meals at no charge.

According to investigators, Burch would often bring steaks and pork chops for restaurant cooks to prepare for her dinner. She would also bring Martina Miller, another water employee, to eat.

Burch was canned from her position after an investigation proved she was forcing the bar into this special relationship. It's unclear if she also demanded free drinks. Hopefully she did! If you're going to swindle a bar, might as well get some free drinks out of it, too.

[Image via Manuel's Tavern/Facebook]


Chinese state media are reporting that a bus transporting kindergarteners home crashed into a pond i

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Chinese state media are reporting that a bus transporting kindergarteners home crashed into a pond in the Hunan province, leaving eight children and three adults dead. The Xinhua News Agency is reporting that an investigation has been launched and that the bus was carrying 11 when it could only seat seven.

Watch This Terrifying Video of a Mudslide in Japan

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Heavy rain caused by Tropical Storm Neoguri triggered this intense mudslide in Nagiso, Japan on Wednesday. The video shows a muddy waterfall violently overtaken by an onslaught of trees, mud, and debris. The mudslide destroyed numerous homes and businesses, killing a 12-year-old boy and sending more than 200 people to shelters in the area.

Neoguri strengthened to a powerful Super Typhoon earlier in the week, only to rapidly weaken by the time it passed Okinawa. It turned east and struck the main islands of Japan, bringing heavy rain and gusty winds to the country.

Neoguri dissipated this evening, according to the Joint Typhoon Warning Center. Another tropical storm is getting its act together in the western Pacific at the moment, and forecasters expect it to strengthen into a powerful typhoon with winds possibly reaching 125 MPH by the time it reaches the northern Philippines next week.

[Video via Reuters]

A man walks through the Mi Casa, Your Casa art installation at Atlanta's High Museum Thursday.

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A man walks through the Mi Casa, Your Casa art installation at Atlanta's High Museum Thursday. The display, by Mexican artists Héctor Esrawe and Ignacio Cadena, opens July 18 and is comprised of more than 35 open house frames. Image by David Goldman via AP.

Undress Me Is A Charming Advertisement About Strangers Getting Naked

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This decent followup to Kiss Me, which I didn't really like four months ago and rolled my eyes about when it turned out to be viral marketing for wear apparel, is much more like it.

It's open-handed marketing for Masters Of Sex, with a tenuous relationship to the show and a particularly Showtime-y hunger for notoriety and buzz, but it does nail one thing: The gorgeous, holy innocence of sex that the show captures so enigmatically and beautifully (particularly in its pilot). We do a lot of talking about "naughty" and "dirty" when it comes to fucking, and that's never sat right with me, because sex isn't those things: It's wonderful.

And here, as on the show, and all too rarely otherwise, that's what's being celebrated. It takes what I personally found a little creepy and performative about the kissing video, and makes it disarming: The awkward, universal minutiae and conversation of people tentatively undressing one another.

Of all the films I have seen where people take each other's clothes off—and I would say that is at least ten films, not to brag—I would rank this one very near the top.

[Film by Tatia Pilieva]

Morning After is a new home for television discussion online, brought to you by Gawker. Follow @GawkerMA and read more about it here.

Colin Farrell Reportedly in Talks to Star in True Detective's Season 2

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Colin Farrell Reportedly in Talks to Star in True Detective's Season 2

Deadline reports that Colin Farrell is "deep in negotiations" to star in the upcoming season of HBO's multi-Emmy nominee True Detective.

Details about the second season have been kept closely under wraps thus far, which has lead to a lot of speculation about the cast and potential director.

But Deadline is "confident" that Farrell will be in:

I can tell you that Colin Farrell is deep in negotiations to play one of what is expected to be three main roles in Season Two. HBO has been mum about cast so far, as rumors have swirled that Jessica Chastain and some others will be one of the other leads. HBO would not confirm any of the potential castings, but I am confident that Farrell will be in the cast.

Well. We'll see!

[image via Getty]

Texas Gunman Who Killed Six Family Members Fainted in Court

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The Spring, Texas shooter who allegedly killed six of his family members execution-style fainted in court today. The Associated Press reports that Ronald Lee Haskell, 33, collapsed after hearing a prosecutor read the charges against him.

Haskell managed to get back up but collapsed again a minute later. "He was then lifted into a chair and wheeled from the courtroom," according to the report. He's being treated in jail. The prosecutor, Tammy Thomas, says she expects a grand jury to indict Haskell for capital murder.

On Wednesday, Haskell forced his way into his ex-wife's sister's home, tied up the family of seven, and shot them execution-style. The only survivor was a 15-year-old Cassidy Stay, who played dead until police arrived.

Angelina Jolie to Sue Daily Mail Over Leaked "Heroin Addict" Video

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Angelina Jolie to Sue Daily Mail Over Leaked "Heroin Addict" Video

It's been a pretty successful week in A-list celebrity relations for the Daily Mail, which just had to apologize to George Clooney after he accused the tabloid of making stories about his fiancée's family, and is now reportedly being sued by Angelina Jolie over a video taken 15 years ago by a man who claims he was her drug dealer.

The 1999 video was originally leaked to the National Enquirer by a former drug dealer named Franklin Meyer, who says he was at Jolie's apartment to drop off heroin and cocaine. The Mail ran the footage attaching their own logo to it, under the headline, "Bloodshot hollow eyes, emaciated arms and rambling on the phone: Haunting video of Angelina Jolie the heroin addict."

The Times of London reports Jolie has "started legal action" against the Mail and feels publishing the video, which reportedly shows her on the phone with dad Jon Voight, was a gross violation of her privacy.

Anonymous sources in the tabloid business—the best kind!—told the New York Daily News they're not sure why the video came out now when it's just rehashing old news.

"When the 2010 version of this story ran, that was a follow-up on an even earlier iteration of the same story," said one source who claimed to have seen Meyer's video years ago.

[H/T HuffPo, Photo: National Enquirer]


Blood in the Streets: A Conversation About Gun Violence in Chicago

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Blood in the Streets: A Conversation About Gun Violence in Chicago

Earlier this week, writing for The Daily Beast, Roland Martin proposed a solution to the surging violence on Chicago's South and West Sides: Send the National Guard to Chicago.

Martin's essay, narrow-minded and altogether ill-considered, was sparked by the recent killings that took place over the July 4th weekend—84 people were shot, and 14 killed. The city's poor black neighborhoods have become a recurring national talking point over the course of the last few years: Violence and death, it seems, are the only constants in Chiraq. Concerned that Martin's solution for military occupation ultimately presents more harm than benefit to residents, I reached out to Ernest Wilkins, a reporter for RedEye Chicago, Josie Duffy, a writer and policy advocate at The Center for Popular Democracy, Jamilah Lemieux, senior editor at Ebony.com, and Kiese Laymon, author and contributing editor at Gawker, for answers. Our conversation appears below.

Josie Duffy: I have a lot of thoughts on this, but I'll start the conversation off by just saying one thing. If 84 people are shot and 16 are killed in one city in one weekend, I think it's clear the government has failed somewhere. So I think Martin is right insofar as the government has a responsibility to respond and attempt to rectify the problems plaguing Chicago.

But this sort of violence doesn't appear out of thin air—it's a response to a long history of systemic deprivation. That's why Martin's solution is deeply misguided, both on principle and practice. And while he suffers from a number of problems in this article – a memory deficiency, an overabundance of self-righteous moralism—perhaps the most pronounced is his laziness problem. He has a creativity deficiency.

This is his idea? More law enforcement? His suggestion is extreme, sure, but it's neither innovative nor intelligent.We're ahead of you, Roland. We've tried that. Law enforcement—from the police to the prosecutors to the prisons—have been working overtime for decades. Spoiler alert: It hasn't worked. In fact, it's made things worse in a lot of ways.

Somewhere along the way many people forgot that victims and residents of places like Chicago and St. Louis and Brownsville are perfectly capable of speaking for themselves, so I don't want to pretend to know what's best for those residents. What I do know, however, is that violence across America and especially in Chicago is perpetuated against the poor and the black and the brown. It's not a coincidence that we're talking about the same demographics that have been not only ignored, but explicitly and intentionally prevented from access to education, economic mobility, and safety. This idea of the powerful causing the problem and then swooping in to benevolently gift us the "solution" is offensive. You can't make up for systemic deprivation through law enforcement. Law enforcement doesn't have the nuance, it doesn't have the tools, and it doesn't actually work. It's reactive and not preventative. Stop trying to find a shortcut where there is no shortcut.

Do any of you think there a way, as Roland suggests, to address violence without addressing poverty? Also, has Roland heard anything about Iraq and Afghanistan lately?

Ernest Wilkins: Josie, you're so on point about the residents of Chicago being able to speak for themselves. Before we consider rolling troops down Stony Island or through the Low End, maybe we should address the lack of communication taking place between the people in these neighborhoods and the people in power in Chicago. Nothing changes without that. When I say "ignored" understand that, in a lot of cases, that's literally happening. There have been countless meetings, initiatives, caucuses, fish frys, etc. with members of the communities suffering from this violence and the people in power. You would think some insight would have been gained by now. Instead, the conversation usually goes like this:

"What is the problem here? Why is everyone killing everyone?"

"We're poor. We need money and jobs in this community."

"Ok. What's the solution to this violence though?"

"We just told you. Money and jobs in the community. A lot of this goes away with opportunities to do better in life that we currently aren't being afforded due to ignorance about our plight. Stop lumping everyone into a faceless mass of "gangbangers" and listen to us as human beings."

"Maybe you're not understanding me here. WHAT. IS. THE. SOLUTION. TO. THE. PROBLEM???"

"...We give up."

Even worse, when people from these communities define the exact issues that lead to this violence, their opinions are picked apart and not taken seriously, with the response usually being some variation of tired-ass narratives like, "You need to fix your community by pulling yourselves up by your bootstraps, not blaming the white man" or "Something something Al Sharpton, Jesse Jackson" or the "solution" Roland Martin presented in that piece.

The fact is, the people who die in our streets aren't looked at as real humans. We've obsessed over the numbers and crunched the stats so much that the baseline reaction now after hearing that TRIPLE the amount of the lives lost in the Boston Marathon bombing were killed over the weekend some four miles from your house is that of numbness. You aren't sad. You aren't angry. You just post an incredulous "This has got to stop!" message to your Facebook feed, and keep it moving.

Jamilah Lemieux: Josie and Ernest, I think you've both summed up a great deal of my own frustration with the media narrative that talking heads like Roland have driven and also, the apathy that comes with being detached from the actual violence. I read this week that 85 percent of the city's violent crimes affect 5 percent of the population. That means that your average Chicagoan doesn't know anyone who has been harmed or killed, nor do they live in an area that has been affected by the violence—which is primarily concentrated in two of the cities 60 zip codes.

Fourteen homicides in a weekend is a tragedy no matter what the circumstances, but I believe that so much of the reporting on these shootings has to do with 1) the 24-hour news cycle that didn't exist when the murder rate was significantly higher in the 90s and 2) the president's connection to the city. There is something so wrong about Roland implying that the entire South and West Sides are on fire. I am tired of trying to explain the culture and the geography of my hometown to people who have never set a foot outside of O'Hare Airport because they are somehow experts on all things black and terrible. And as someone who left here—I just happen to be in town this week—12 years ago for college and never moved back and never intends to do so, I recognize my own limitations in identifying some of the shifting dynamics that have brought us from being known as "Chi-Town" to "Chiraq." However, when someone says something as reckless as 'send in the National Guard' to police American citizens who have never had the honor of being treated as such, it makes it plain that folks aren't even trying to understand what is at play here.

My parents can tell you stories of black Chicagoans being terrorized by the National Guard during the 1968 Democratic National Convention and the riots that ensued under the regime of the late and notorious Mayor Richard Daley (the first one). That any black man over the age of 40 would see this as a viable solution makes me question his knowledge of history and also, just what he thinks the National Guard does. They are trained to shoot and kill, to mobilize for war. How does that serve the people of this city? Who does that help?

I do believe that government intervention—on a federal and local level—is appropriate, but coming in with guns to fight guns only increases the likelihood that innocent black people will find themselves incarcerated, maimed, or worse. What a solution looks like, I don't know, but as Ernest said, we should be looking to the people who are HERE and fighting that fight daily, as opposed to a tired police chief from Newark and the Army, to decide what that should be. People are poor, jobs are scare, the "you aren't welcome here anymore" gentrification is making it difficult for people to commute to the jobs they do have, to afford the rent and groceries that may have already been a challenge. But some cat from the South thinks that what we need are tanks and guns? That's infuriating.

Kiese Laymon: Thank y'all for breaking all of this down with plenty care, introspection and imagination. I'm not sure I have much to add other than more questions. Half of my family moved to Chicago, Indiana, and Racine a few decades ago to escape Mississippi.

I remember my Aunt Daisy—who lost a daughter to violence, and lost her son to years in prison after he was found guilty of violence—saying that there are more folks on the ground fighting to keep kids alive than anywhere else she ever lived. But those folks, Daisy claimed, are the least well-paid folks she knew.

I'm wondering what happens if we really invest in the work of folks in Chicago really fighting to ward off what white supremacy and unexplored sexist culture has produced. And if we can't allow or expect adequate compensation for those folks, should we find creative ways as black folks to fairly compensate and fairly train the folks in our community who want to do this work? What would a communal creative financial commitment to fighting the consequences of white supremacy look like?

And what role should black folk who don't live in those communities anymore play?

My other question is a tougher one. I come from a place very similar to Chicago. Jackson's murder rate is routinely higher proportionately than Chicago's. Like a lot of folks who grew up there in the 80s and 90s, I feel lucky to be alive. I know part of that is because of small classes, committed freedom fighters who let me know over and over that killing and fighting each other was playing into the hands of the worst of white folks, and a grandma I never wanted to let down. I'm not in Jackson anymore. And while I write words that I know some young folk in Jackson read, do we have the responsibility to go back to the communities we come from and commit to learning and teaching and fighting for the future of our people?

I work with young middle schoolers and high school kids in Poughkeepsie, but that's not home. Should we go home and commit to loving our people, especially when folks are talking bout unlovingly sending in men with guns to discipline them if they don't act right. Should we go home and fight?

Jason Parham: The answers we're looking for won't be easy. And while I don't agree that the National Guard is necessary to help mitigate the violence sweeping across the South Side and West Side of Chicago, I do agree that an increased level of authority—via residents who wield some sort of influence, community organizers, etc—might help subdue a portion of the terror taking place. But even then, we are not really unearthing the root of the problem.

As Ernest pointed out, there are a lot of variables at play here, the most horrific realization being: black life doesn't account for much in America. And the statistics Jamilah offered reinforce this. People who visit Chicago via a CNN news broadcast or a clip uploaded to YouTube see us, but they don't really see us. This, of course, is nothing new. But it is something that I think about often, and I wonder how a similar situation would play out in an area populated by, say, middle class whites. I accept this reality, though—a reality, I should say, that we are forcibly trying to alter, stubborn as it might be—and understand that there are cultural structures in place that allow for the continued devaluation of black and brown life (doubly if you're poor, triply if you're black, poor and a woman).

I don't have the one true solution to any of this. I'm a black man and I find value in our existence, in our love and support and uplift of each other. But I know that it begins with us. I take responsibility for my brothers and sisters. I acknowledge that what these young men are doing is wrong and hurtful, but I also understand that it comes from a place of anger and self-doubt and not wanting to be unloved. I am reminded of Kai M. Green's words: "What do we do with the scars, those of us who did not die, but still aren't free?" I don't want anybody to misinterpret what I'm saying: I am not making excuses for the violence, killing is a cowardly and terrible evil, but many of these young men are reckoning with traumas, tangible and intangible, they don't fully comprehend. A black man is born with a target on his back. That is our starting point. That some of us have made it this far is a miracle.

So to answer your question, Kiese: should we go home and fight? If we have the means to do so, absolutely. It begins with us; it begins with better and more sustainable community building. Why is it that these young men feel like joining a gang is their only option for acceptance and survival? Why is it that these kids are merely trying to "make it out" instead of trying to "live"? Obviously these issues are rooted to larger systemic problems within the context of America—the lingering residue of Jim Crow-era segregation, disinvestment in areas populated by poor black and Latino populations, inadequate schools in "urban" neighborhoods, the fracturing of the black family, etc etc—but not unsolvable. As Jamiliah noted, I don't want the readers to think we are speaking in absolutes here, this isn't the entire reality of communities at war—there are individuals doing great and important things on Chicago's South Side, and in neighborhoods like Brownsville and Compton—but the violence is a reminder that there is ever more work to be done.

Jamilah Lemieux: Do we have the responsibility to go back to the communities we come from and commit to learning and teaching and fighting for the future of our people? I struggle with this question often. On some level, I feel some guilt for leaving the place that nurtured my development and taking whatever talents or gifts I have to become part of this large New York machine. One of millions of transplants who, depending who you ask, either drain that city dry, or make it richer than its own natives could on their own. But on the flip, what does coming home look like? How do I make things better here? And do the unique challenges facing my hometown mean that I'm not entitled to the pursuit of happiness that led me to leave in the first place? Because I decided to leave long before "Chiraq" was something struggle rappers used to lend credence to careers that would have been felled by their lack of skills some 15, 20 years ago.

I'd like to believe that on some level, my work as a writer and editor who focuses on issues of race, gender. and sexuality is a contribution to my community—the black community, from Chicago, to Brooklyn and beyond. If I can figure out ways to help these South Side girls feel better about their sexual agency, or to address the flaws in the media narrative around Chicago from the place I've adopted as my home, is my absence still a betrayal?

In April, activist Leonore Draper was killed in a drive-by outside her home after leaving an anti-violence fundraiser. I honor her sacrifice, but I am not willing to give my life to Chicago. And while I understand the city well enough to know that the violence is largely contained to certain areas, and that Americans must be prepared to be shot at any time (see: Columbine, Aurora, Sandy Hook), I do feel that relocating back here comes with the increased possibility of being in the wrong place at the wrong time—especially if I were to return specifically to "help make things better." I have a child, she needs me and she needs to be safe. My ex is also from here, and when she is visiting the city without me, I just pray that the desire to go see Cousin or Auntie So-and-So in a rougher part of town takes a backseat to keeping our child away from harm. I worry over her being in shopping malls and on subway trains or anywhere that people can be found. I don't have what it takes to deal with her being down the street from where Chief Keef stays.

I try and do my best to be an ambassador for my city, to tell the Roland Martins of the world, "Look, you've got this wrong!" and to remind people that Chicago is not a city of savages, but one that has been criminally underdeveloped by structural racism and inequality. But I'm not willing to return, at least not now.

Ernest Wilkins: My family is from the Robert Taylor Homes. The environment that molded thousands of black lives—including my father's—literally doesn't exist anymore. The housing project was finally demolished in 2007. I've never been there and I never will. Still, there's still a sense of responsibility within me to do right by my people. I love Chicago. The city made me who I am. One of the main reasons I moved back home after college and living in Atlanta for a few years was to try and contribute to making the city better. As black people, I think the whole point is to recognize that situations like this affect all of us, no matter how much we might want to distance ourselves or feel like it isn't our responsibility. If you live in Brooklyn and have access to a few million, you can do more than I can on the ground here in the immediate sense. However, I can go talk to these kids and donate my time. Everyone can do something.

I think there's a sense of hopelessness and a feeling that the job is too big. The society that can save Chicago is the same one that's out here giving a man 20k to fund a goddamn potato salad on Kickstarter. We have the tools. These neighborhoods need awareness to the real issues, not rhetoric, posturing, and lack of empathy. No matter what though, the solution ain't troops, my guy.

[Image of Chicago residents who have died by gunfire posted at Saint Sabina Church, via Getty]

Zen Koans Explained: "Subjugation of a Ghost"

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Zen Koans Explained: "Subjugation of a Ghost"

Love, some say, is pain. They shout this out, at inopportune times, like during dinner parties, or at the weddings of acquaintances. "Love is pain!" they holler. Few believe that this is because of Tourrette Syndrome, though it could plausibly be so.

The koan: "Subjugation of a Ghost"

A young wife fell sick and was about to die. "I love you so much," she told her husband, "I do not want to leave you. Do not go from me to any other woman. If you do, I will return as a ghost and cause you endless trouble."

Soon the wife passed away. The husband respected her last wish for the first three months, but then he met another woman and fell in love with her. They became engaged to be married.

Immediately after the engagement a ghost appeared every night to the man, blaming him for not keeping his promise. The ghost was clever too. She told him exactly what had transpired between himself and his new sweetheart. Whenever he gave his fiancee a present, the ghost would describe it in detail. She would even repeat conversations, and it so annoyed the amn that he could not sleep. Someone advised him to take his problem to a Zen master who lived close to the village. At length, in despair, the poor man went to him for help.

"Your former wife became a ghost and knows everything you do, " commented the master. "Whatever you do or say, whatever you give your beloved, she knows. She must be a very wise ghost. Really you should admire such a ghost. The next time she appears, bargain with her. Tell her that she knows so much you can hide nothing from her, and that if she will answer you one question, you promise to break your engagement and remain single."

"What is the question I must ask her?" inquired the man.

The master replied: "Take a large handful of soy beans and ask her exactly how many beans you hold in your hand. If she cannot tell you, you will know that she is only a figment of your imagination and will trouble you no longer."

The next night, when the ghost appeared the man flattered her and told her that she knew everything.

"Indeed," replied the ghost, "and I know you went to see that Zen master today."

"And since you know so much," demanded the man, "tell me how many beans I hold in this hand!"

There was no longer any ghost to answer the question.

The enlightenment: "young wife"= US Government

"ghost"= NSA

"Zen master"= Edward Snowden

"beans"= personal secrets

"The enlightenment"= lies.

This has been "Zen Koans Explained." A wizard.

[Photo: Shutterstock]

64 Years' Worth of Twister Tracks Look Like a Jackson Pollock Painting

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64 Years' Worth of Twister Tracks Look Like a Jackson Pollock Painting

This map shows the tracks of all 59,036 recorded tornadoes that touched down in the United States between January 3, 1950 and December 21, 2013. The end result looks like a Jackson Pollock painting.

The strength of the tornadoes is denoted by the color of the track; white tracks are the weakest F0/EF-0 tornadoes, while the bright red tracks show the strongest F5/EF-5s.

The prevalence of tornadoes in the central United States is clear, as are the relatively-calmRocky Mountains and Appalachian Mountains. The map shows that tornadoes can happen pretty much everywhere — yes, even in mountainous areas — and that some of the strongest tornadoes have occurred as far west as Wyoming and as far east as Massachusetts.

Be sure to click the "expand" button on the top-left part of the image to get the full effect, as compression diminishes some of the detail.

​Youth Not Wasted: Boyhood

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​Youth Not Wasted: Boyhood

The first time I saw Richard Linklater's Boyhood, it won me over within 30 minutes of its almost three-hour duration—around the time that Ethan Hawke shows up and gently subverts the deadbeat-dad role we've been set up to expect from him. His kids—the film's protagonist, Mason (Ellar Coltrane), and his sister Samantha (played by Lorelei Linklater, Richard's daughter)—haven't seen him in over a year, but when he comes back into their lives, it's full force. He is engaged, enthusiastic, and in love with his children. They forgive him immediately, and so did I.

Small surprises like that, which almost always result from Linklater & co. erring on the side of compassion for these characters (and the characters erring on the side of compassion for each other), make Boyhood a delight. But it is also a movie mired in mundaneness. The lives we watch are unremarkable, a lot of the dialogue is just sharp enough to not go unsaid, and in terms of humor, it rarely induces more than chuckling. And yet, I cared. So much. I was mesmerized by these characters, I felt like I could continue watching them live out their pretty-OK lives for another three hours, at least. I couldn't really tell you why I cared, just that I did.

When I saw Boyhood this week for a second time, I liked it even more, and ultimately concluded that watching people grow and age onscreen is a profound experience in itself. Linklater famously filmed Boyhood over the course of over 11 years—from the summer of 2002 to October 2013. More than the specifics of these lives—and the movie is an extremely specific portrait of one Texas boy's life, to the point of being only vaguely relatable at any given time in my experience—the passage of time is the greatest inroad to empathy that Boyhood provides. It's also among the greatest inroads to empathy that I've ever experienced while watching a movie, period. There's never been a gimmick like Boyhood's, in terms of concept or effectiveness.

Coltrane was 7-years-old when shooting began and watching him and everyone else grow older and more awkward (and then less) and more wrinkly and fatter endears you to these people in ways deeper and more moving than in most movies. Maybe you never were or even knew a straight boy in Texas with divorced parents and an annoying older sister, but you've watched time pass, and you've seen its effect on other people. Boyhood presents a compressed version of one of the only universal truths within the earth's wide range of human experiences. This, I think, more than anything, is why people are responding so strongly to it. I was at a party last night with some fellow writers, and all who had seen it were gushing about it (and those who hadn't were gushing with excitement). I think Boyhood is going to be huge. I think it's going to be a thing. A big, cultural thing unlike any we've seen in a while.

Because it charts growth, starting at childhood, Boyhood has been compared to Michael Apted's Up series of documentaries, but more than that, it reminded me of the work of Frederick Wiseman, whose institution-based documentaries are always about more than what their blunt titles suggest. The Store, for example isn't merely about the flagship Neiman-Marcus and its corporate headquarters, it is about life in 1982, class divides, and the ensuing ridiculous hair. So too does Boyhood work as a broader cultural study, pointedly touching on pop cultural relics of the past decade. Linklater is particularly obsessed with technology, and consequently, how fleeting newness is (check those Razr phones and that Gameboy Advance SP). At the same time, there is a matter-of-factness to the references, which range from Dragonball Z to Funny or Die's The Landlord to Wilco's "Hate It Here" to beer pong, that could virtually only exist when you capture something in its moment. There's no bad aftertaste of crass retroism in Boyhood. This movie massages your inner nostalgia, but gently.

Gently is also how it handles the maturation of its characters. By the time Mason's mom, played by Patricia Arquette, runs down a list of life milestones as he's about to walk out of her apartment and head off to college, you realize that we've actually just spent three hours not watching GREAT BIG EVENTS onscreen. We don't see Mason's first kiss or loss of virginity or him taking his first picture that leads to him pursuing a career in photography. We see the effects of these things, just as we see them in our friends, family, and the people whose lives we closely follow. We are not so much omniscient as voyeurs, just like in life.

The most amazing effect of this amazing endeavor is getting to watch Arquette grow as an actress. Remember when she was just awful, when she'd just open her mouth and words would come out with the enthusiasm of a 2 x 4? (Think Lost Highway. Think A Nightmare on Elm Street 3: The Dream Warriors.) That's where she is at the beginning of the movie, and by the end, she is natural, settled into her own skin as an actress, just as her character has settled into her own skin as a mother. Somewhere along the way (during Medium?), Patricia Arquette became a fine performer, and Boyhood captures that.

The only critique I have is that the movie wraps up with a trio of scenes in which characters start to ask big bold questions about what it all means. During the last exchange of theirs that we see, Mason asks his father, "So what's the point?...Of any of this? Everything?" The answer is specific, but at least grounded by uncertainty. The movie ends on a conversation between Mason and a new friend that's even more on the nose regarding the passage of time and the constancy of now. It puts too fine a point on a movie that is already so sharp, and dictates a little too much bold-faced profundity to an audience that has already absorbed so much of it by then.

No, Chicago Isn't an Actual War Zone

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No, Chicago Isn't an Actual War Zone

With over 80 people shot, the Fourth of July weekend was Chicago's bloodiest of the year, prompting some to suggest the National Guard be called in to patrol the troubled city. On Monday, "satire" site The News Nerd did them one better, publishing an article claiming military forces had already been deployed to the city now "considered a war zone."

The story quickly spread—to the palpable glee of some gun rights advocates—thanks in no small part to @UberFacts and @Fact, two of Twitter's most popular bullshit-dissemination accounts.

Unfortunately for fans of alarming, unsourced information, this is completely false. Asked about the supposed military deployment, Defense Department spokesperson Tom Crosson called the story "a hoax."

"People have suggested that or made that recommendation," Crosson told Gawker, "but no, it's not happening." As of Friday the article had been shared on Facebook over 25,000 times.

[ Image via Universal Pictures]

Now What's Your Jam?

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Like we always do at this time, share your current jams (summer or otherwise) in the comments below like so:

Anushka "Fire To Me"

I couldn't decide which track on the Brighton-based duo Anushka's recent album, Broken Circuit, so I'm sharing both. "Never Can Decide" (at the top of this post) was released as a single earlier this year and contains the best first line I've heard in ages: "I fall asleep with your heart 'round my neck." Both that and "Fire To Me" are warm house jams with uncommonly soulful vocals courtesy of Victoria Port. There's a subdued adventurousness to the music and a decidedly avant take on R&B (dig those messy harmonies). Soulful house is rarely so playful or experimental. The relative stasis of the subgenre never made much sense to me, and when something as wonderful as Broken Circuit comes along, it makes even less sense. I can't stop listening to either of these songs.

Retouch My Body: Terry Richardson Pix of Mariah Carey Before Photoshop

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Retouch My Body: Terry Richardson Pix of Mariah Carey Before Photoshop

Terry Richardson shot Mariah Carey for Wonderland magazine's summer issue and, according to the unretouched images obtained exclusively by Jezebel, it would seem that Uncle Terry's point-and-shoot-built-in-flash style isn't flattering enough for publication.

Retouch My Body: Terry Richardson Pix of Mariah Carey Before Photoshop

Perhaps what's most striking about these images is how much color correction is used, almost like everything in the frame (save for the black white background) needed to be painted back to life. Even Mariah's makeup needed to be digitally added after getting so washed out by the flash. (And you know that woman does not cut corners on her glam squad and has the best makeup artist that money can buy.)

Retouch My Body: Terry Richardson Pix of Mariah Carey Before Photoshop

What's supposed to be so remarkable about Richardson's signature style is how his otherwise amateur methods, when used to shoot high-profile celebs, create uniquely candid portraits that appear to be at once documentary and aspirational. His bare bones sets and harsh flashes suggest a spontaneity that is meant to imply the authenticity of that particular moment. But this doesn't seem very authentic at all.

Retouch My Body: Terry Richardson Pix of Mariah Carey Before Photoshop


Cleveland Cavs Owner Who Snagged LeBron Just Invested in Rap Genius

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Cleveland Cavs Owner Who Snagged LeBron Just Invested in Rap Genius

Cleveland Cavaliers owner Dan Gilbert must have the hot hand. The Comic Sans-loving billionaire just won the dramatic toss up for LeBron James. Gilbert also boxed out other investors for a spot in a new round of funding for Rap Genius that is worth $40 million. Backing braggarts, it seems, is now an investment philosophy.

Business Insider just broke the news. When I asked Rap Genius CEO Tom Lehman about it earlier today, this is what he said: "LOL - how do these rumors get started?"

Cleveland Cavs Owner Who Snagged LeBron Just Invested in Rap Genius

Here's the post I had ready before that obfuscation:

Andreessen Horowitz—the Lannisters of Silicon Valley—invested $15 million in Rap Genius and its three cofounders (all twenty-something Yale graduates) back in 2012 and also participated in this current round. Gilbert has invested in startups before. He's the founder and chairman of Rock Ventures, a managing partner at Rockbridge Growth equity, owns roughly 40 percent of downtown Detroit, and a heckuva pen pal. According to Crunchbase, Gilbert has backed BlueFin Labs, which was acquired by Twitter.

In 2012, Marc Andreessen said that Rap Genius would use that initial $15 million investment to transform the crowd-sourced hip-hop explainer site into an "Internet Talmud" by using the same tool to annotate rap lyrics, but applying it to poetry, legal documents, the Bible, etc. At the time, cofounder Mahbod Moghadam told me Rap Genius planned on making money by selling "the dopest ads of all time," as well as merchandising and premium memberships. He used the example of law firms who would pay to annotate legal cases because "Lexis and Westlaw are jank."

Moghadam resigned from the company in May and gave up his board seat after posting inappropriate comments on the manifesto by Elliot Rodger, the Santa Barbara killer. An email from Moghadam also tipped Google off to spammy tactics the company had been employing to improve its search rankings. Traffic tanked when Google punished the company for its SEO scheme. The founders said they resolved the issue with Google, however Rap Genius has since disabled Quantcast, the analytics site that was used to illustrate its 60 percent descent in December.

They still turn up pretty high if you search for lyrics on Google, however. And earlier this week Rap Genius signed a deal with Warner/Chappell, which means the startup now has deals with all three major music publishing companies, avoiding a lawsuit for unlicensed use of lyrics. Move fast, offend things—seems like something Rap Genius and Gilbert have in common.

To contact the author of this post, please email nitasha@gawker.com.

[Image via Getty]

Sleeping Homeless Woman Dies After Driver Parks Car on Top of Her

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Sleeping Homeless Woman Dies After Driver Parks Car on Top of Her

Henrietta Regina Dickson, a 55-year-old homeless woman, was killed in St. Petersburg, Fla. this week when a driver unwittingly parked her car on top of her unconscious body, pinning her underneath.

Police found Dickson's body in the condo complex parking lot the following morning, when a resident saw her hand sticking out from under the car. She had apparently either fallen asleep or passed out in a parking space.

The driver, Fathima Masud, will not face charges. According to police, she heard a bump when parking, but found only Dickson's bag when getting out of car. "When she looked, it was a large tote bag full of things, full of clothing, and other items. She just figured that's what she hit," said Yolanda Fernandez of the St. Petersburg police.

Dickson apparently had problems with drugs and alcohol, and became homeless when a friend she was staying with kicked her out for coming home drunk and belligerent. Her brother David offered a remembrance to the Tampa Bay Times:

"She was always the most popular and beloved of all of the siblings," said her brother David Dickson, 58, who lives in Chicago. "She was the one who got the attention, who got the love, who lit up a room."

...

"The way she died is just horrible. How that could have happened, I don't exactly understand. We just hope she's in a better place now," he said. "We stayed in touch. We tried. We just couldn't find a way."

[h/t Huffington Post, image via Bay News 9]

CDC Closes Labs After Exposing Employees to Live Anthrax and Bird Flu

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CDC Closes Labs After Exposing Employees to Live Anthrax and Bird Flu

The Center for Disease Control is closing its anthrax and flu labs after two accidents that could have exposed employees and the public to disease. "Shipments of all infectious agents" are going to be halted, too. The screw-ups, one of which was just reported today, weren't minor.

Last month, 75 CDC employees were possibly exposed to live anthrax bacteria. They handled anthrax samples without protective gear because they thought the bacteria was dead. CDC director Dr. Thomas Frieden explained to The New York Times that "when you work with [anthrax] day in and day out, you can get a little careless. The culture of safety needs to improve at some C.D.C. laboratories."

Another accident, just reported today, involved CDC employees accidentally contaminating a normal flu sample with H5N1 bird flu and sending it to the Department of Agriculture. As an added bonus, last week CDC employees found leftover smallpox virus samples from the 1950s in a closet.

Dr. Frieden told the Times, "These events revealed totally unacceptable behavior. They should never have happened."

[Image via Shutterstock]

Deadspin "Is This For Real!?"

Lyft Slapped With a Restraining Order Ahead of New York City Launch

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Lyft Slapped With a Restraining Order Ahead of New York City Launch

Lyft's east coast expansion is already hitting serious legal traffic. Despite billing itself as the savior of New York City, the city's tax commission was quick to declare the e-hailing startup illegal. Now the state's attorney general and the Taxi and Limousine Commission have placed a temporary restraining order against the startup.

Lyft was at first undeterred by TLC's cease and desist letters. The startup's co-founder John Zimmer assured Inc. yesterday that the company was pushing forward with today's scheduled launch. However, the restraining order seems to have postponed the debut of their so-called "ride-sharing" offerings in New York's outer boroughs.

The attorney general makes it clear that New York sees Lyft as an illegal cab service:

As [Lyft] has done in every other city in which it operates, defendant has simply waltzed into New York and set up shop while defying every law passed whose very purpose is to protect the People of the State of New York. Despite being warned and told to cease and desist by three separate regulatory and enforcement agencies, defendant has thumbed its nose at the law and the continued with its plan to launch in what could become its largest market. [...]

Lyft portrays itself as an innovative 21st century technology business. In reality, Lyft uses a smartphone app to run a traditional 20th century for-hire livery service, arranging ride for passengers on non-fixed routes in exchange for compensation.

Lyft has already postponed their New York launch until July 14th, hoping to broker a deal with government officials. In a statement to The Verge, a Lyft spokesperson stated "We are in a legal process with local regulators today and will proceed accordingly."

To contact the author of this post, please email kevin@valleywag.com.

[Photo: Getty]

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