Last season of
Revenge ended with Emily Thorne getting the most revenge of anyone who has ever revenged. In any other story, that would be the end, but Revenge is never ending. Revenge is double infinity.
Previously on
Revenge: Victoria Grayson ended up getting committed, silver fox Conrad Grayson ended up dead, David Clarke ended up being alive, and Emily Thorne ended up getting everything she ever wanted. So where does a show go from there? It continues the vicious cycle of revenge, while also finally admitting that the master revenger is really just an addict, plain and simple: The irony of a season premiere of a series that spins its wheels as much as Revenge does being titled "Renaissance" is lost on no one.
The premiere takes six months after the events of
"Execution," and oh how things have changed. Emily is living in Grayson manor, Victoria is still institutionalized (with the show's new best character, Phyllis, played by Yeardley Smith), Conrad Grayson is confirmed dead, Daniel and Charlotte are poor and too lazy to get jobs, Jack is a cop, Margaux (and her superfluous brother) still exists, and Nolan has the hair of a mad scientist. All of this is simply the calm before the storm, but the storm itself isn't anything these characters haven't faced before. They're miserable people who should really come to expect all of this by now.
At least Emily can finally accept the fact that she's a revenge junkie.
"That thirst has become a part of me. I don't know who I am without it. Maybe I don't want to."
It really is the only thing that can explain why Emily Thorne continues to live this sham of a life and stay in the Hamptons. The woman is a billionaire, and yet she can't move on. Six months after completing her goal, she's pulling revenge jobs for absolute strangers who don't even ask for or want her very particular set of skills. Sure, it's a way to keep things interesting in a world of cocktail parties full of nondescript faces, but it's certainly not the most healthy hobby. In fact, it's a categorically unhealthy hobby.
So while Emily comes to grips with the fact that she is addicted to revenge and it is unfortunately all that she even has left thanks to the Graysons, the season's "spin" comes into play: This is the season of Victoria's revenge on Emily for all she did to her, Pascal (never mind that was all Conrad), and her family.
However, this twist on an old classic requires the show to ignore the very real problem of having Victoria exact her revenge simply because it needs a way to keep the show's promise of revenge alive and well: The Graysons deserved everything they got, and just because Madeleine Stowe is a highlight of the show with her delicious scenery chewing, that doesn't make Victoria the victim in this situation.
The problem with characters like Victoria—or even Daniel or Charlotte
—getting their revenge on Emily is that they don't deserve it. Victoria, especially, doesn't deserve it, for her cowardly role in the framing of David Clarke as terrorist, but as each season has progressively shown, Daniel and Charlotte are just as awful as their parents. The only difference is, they have half the IQ points and entertainment values of their parents: That's why watching Emily destroy their lives is so entertaining, while watching them try to respond in kind is like watching paint dry. Victoria may match Emily on an intellectual level, but the righteous indignation just isn't there.
It's not just on the revenge front that the show can't seem to move on. Outside of those who revenge, the series still pretends like characters like the aforementioned Grayson children, Jack the cop, and Margaux are actually worthy of the screentime they take up. All of these characters could use a shovel to the face or at least to be put in the show's past, where they belong. But because
Revenge can't move on, they remain thorns in the sides of the audience.
Both Daniel and Charlotte have become such insufferable brats—and considering the amount of bad things that have happened to both of them, it's quite the feat for them to both remain impossible to like or enjoy—that if they were to get the Declan, blown-up-in-a-building treatment in episode two of this season, it would be a cause forcelebration. Jack as a cop makes about as much sense as Jack's other choices, and it looks like he'll never make it to Haiti. Margaux...still exists. (Seriously, she is so unnecessary on every level.)
DAVID CLARKE CAME BACK TO THE DEAD, THAT'S HOW MUCH NO ONE ONE THIS SHOW CAN MOVE ON.
The only main characters who have moved on, four seasons in, are Conrad (to the afterlife...allegedly) and Nolan (from a good haircut). That doesn't look much like a renaissance.
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Videos via ABC]
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